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Showing posts with label El Día de los Muertos. Show all posts
Showing posts with label El Día de los Muertos. Show all posts

Sunday, November 2, 2014

Day of the Dead 2014: Symbolism and Colors

On an altar in the main square of San Miguel de Allende, November 2, 2014



Day of the Dead:  Symbolism and Colors

by Victoria Challancin


In Mexico, my adopted home, we dance with death on a near-daily basis, but never as we do on el Día de los Muertos, the Day of the Dead, when real communication with the dead is believed possible.  

Together, dear Readers, we have talked about The Poetry of Death, sampled the alfeñiques or sugar skulls/figures, strolled through the Day of the Dead Markets, we have built altars, visited altars, and seen even more altars, enjoyed the food...together we have done all this, and yet I know, that if you are a non-Mexican reader, you no doubt find it all strange, if not disturbingly macabre.

In a past post, I summed it up as I best know how:  ...with all the death imagery, that constant reminder of our mortality, humor permeates all.  In Mexico, it is not that loss isn't felt, that grief isn't present, or even that sadness isn't paramount...it is more that a sensible perspective exists, allowing us to feel the sorrow, remember those who have most touched our lives, and always know that death is an inevitable part of life.  Death.  The one inevitable experience that no once can escape.  No one.

Reams have been written about Mexico's celebration of the Day of the Dead and its obsession with Death.  Reams.  Volumes.  Often I read that it is an example of how Mexicans laugh at death.  I don't believe that Mexicans laugh at death at all, rather they "celebrate" death as a means of staying connected and honoring those that they love, those who have passed on--albeit in a joyful and colorful way.  No dreary mourning here.  Instead, we have a vivid connection to the Cycle of Life.

The indigenous peoples of Mexico, such as the Nahua, Purepecha, Totonac, and Otomí believed that the souls of the dead return yearly to visit with their relatives.  And they come laughing, drinking, dancing, singing and generally being merry, just as when they were alive.  There is surely a message for us all here--seize the moment and live!


“The Mexican... is familiar with death. (He) jokes about it, caresses it, sleeps with it, celebrates it. It is one of his favorite toys and his most steadfast love.”     Octavio Paz, Mexican Poet and Writer


(Note:  November 1st is known as All Saints Day and the 2nd is All Souls Day--the days when the dead return to us each year).   



Instead of wearing masks and costumes meant to scare away the evil spirits, Mexicans offer beauty in the form of floral arrangements, favorite sweets and food, and photos to both remember and welcome the loved ones who have passed on.

The Symbolism and Meaning of the Colors
The most common colors seen on the altars for Day of the Dead are purple, yellow, orange, white, red, and pink.  Each one carries its own meaning.

Purple:  suffering, pain, loss, and grief

Yellow/Orange:  the brilliance of the sun and a new day

White:  purity, promise, and hope

Red:  the blood of life which sustains not only the body but the soul and a symbol of sacrifice

Pink:  celebration and joy

A Catrina

Why Skeletons?
They dance, they prance, they cavort, they sing, they eat, and laugh.  They represent those who are no longer with us in the flesh, but are with us in spirit.  They remind us that they are still here, still a part of us, and they remind us literally of what is inside every one of us--our skeleton, representing our inner selves, our souls.  They also remind us of the good things in life:  good wine, family, eating, singing, dancing, and playing.  And they do it so well.

A friend and her partner dressed as a Catrina and a Catrín
Calaveras, or Skulls
In addition to the entire skeleton, the heads, or skulls alone are a beloved emblem for the Day of the Dead.  Often depicted in humorous settings, they can be caricatures of famous people such as actors or politicians, musicians, dancers, policemen, and revolutionaries.  The most iconic of these symbols come from the works of artist José Guadalupe Posada whose 19th century engravings form the basis of the beloved Catrina figure  (see above).  Note as well that the pre-Columbian Mexicans viewed the skull as a symbol of life, rather than death.



The Marigolds
Cempazuchitl, the Náhuatl or Aztec word for marigold, act as symbols for death in ancient Mesoamerican mythology.  Often they are seen broken open, so that their petals can be used to lead the dead home where they are honored and prayed for by their loved ones.  They are also woven into arches and left whole in vases or growing in pots--the "flower of the dead."  These flowers are also called zempasuchil. cempasuchil, or zempasuchitl.



Las Ofrendas, or Offerings
Favorite foods of the beloved are always offered on the altars.  You will see sugar cane, oranges, apples, pan de muerto, peanuts, seeds, beanstequila, beer, tamales, refried beans, charro beans, nixtamal, tacos, enchiladas, and more.  Photos always are lovingly placed alongside the food offerings.  Toys, pipes, hats, and other personal belongings also find their way to the altars.



Papel Chino or Papel Picado
The beautifully and often intricately cut tissue paper designs can been seen decorating not only altars, but also homes, streets, neighborhoods, and shops.  They often show skeletons cavorting in their very human ways, displaying the same antics as the living.  This delicate tissue also represents the wind and the fragility of life.



Pan de Muerto
One of the staple foods on any altar is pan de muerto, or "bread of the dead," which symbolizes the souls of the departed.  This slightly sweet egg bread can be found in a variety of shapes from simple round with crosses or bones atop them to elaborate skulls and skeletons.  



Candles and Incense
The candles, or fire,  are meant to guide the spirits to their final resting place as well as help them return to visit the living.  Incense also helps to carry the soul along, with soft scents, on its journey.




Alfeñiques, or Sugar Figures
Although I have written extensively about alfeniques before, and shown lovingly made examples from the local Day of the Dead Market, no post about Day of the Dead can miss mentioning these whimsical sugar figures, made with powdered sugar, egg whites, and a vegetable adhesive made of lemon.  Check out the link above for many examples of the types of sugar figures Mexicans put on their home altars.

Day of the Dead
San Miguel de Allende, México
2014



























Parting Shot:  
A Degas-esque ballerina offering, made by a precious Mexican friend and her father



Please ask permission before using text or photos.  Thank you!



Victoria Challancin
Flavors of the Sun Cooking School
San Miguel de Allende, México



Saturday, November 6, 2010

Images from Day of the Dead



El Día de los Muertos:
The Poetry of Death

by Victoria Challancin 

Mexicans celebrate life.  Mexicans celebrate death.  Mexicans celebrate--that is a joyous fact of life.  Firecrackers, parades, bands, food...families coming together, schools reinforcing traditions, life continuing in timeless ways midst the turmoil of modern change.

Reams have been written about Mexico's celebration of the Day of the Dead.  Reams.  Volumes.  Often I read that it is an example of how Mexicans laugh at death.  I don't believe that Mexicans laugh at death at all, rather they "celebrate" death as a means of staying connected and honoring those that they love, those who have passed on--albeit in a joyful and colorful way.  No dreary mourning here.  Instead, we have a vivid connection to the Cycle of Life.  

Deeply rooted in the pre-Hispanic beliefs of the indigenous people of Meso-America, El Día de los Muertos or All Souls' Day (its Catholic counterpart celebrated on November 2nd) is the one day of the year when communication with the dead is possible.  This stems from a belief that on this one day, the souls of the dead could return to commune with the living.

Families begin to prepare weeks beforehand by decorating an altar to commemorate the dead.  They use a type of 20-petaled marigold, the cempazuchitl flower, known as the "flower of death," to decorate both altars and tombs in the cemetery.  Sometimes these flowers are woven together in a sort of tapestry.  Other times they are broken apart and the petals used to form a picture or pattern, or sprinkled on the ground to mark a path for the dead to follow.  

One of my Mexican friends said last week that she was off to "wash" her father, who died over 15 years ago.  What she meant was that she would join her family in the cleaning of the grave--weeding, washing, sprucing up the grave in preparation for an all-night vigil and celebration with his spirit.  Graves are prepared, offerings (ofrendas) of favorite food and drink are set up, photos appear, items belonging to the deceased are brought out, candles are lit, incense is burned, and everything is made ready to reunite the spirit with its loved ones in a spiritual communion of life and death.  

Halloween is something entirely different, based on the ancient Druid Samhain celebration in Celtic Europe.  Here in Mexico at midnight on Halloween, we see once again that poignant blending of the ancient beliefs with modern Catholicism.  At midnight on October 31st (which of course makes it November 1st), the spirits of the babies and children who have died, los angelitos, come to spend time with their families.  On the following day, November 2nd, the souls of the adults come into play.  Literally.  So let us never forget that this celebration is really Días de los Muertos, two days, November 1st and 2nd, All Saints' Day and All Souls'Day--two days of commemorating the dead.  Two days of celebrating the Cycle and Circle of Life. 

Recently, there has been a backlash against American-style Halloween celebrations.  This year in various rural communities there were banners flying with the words "di no a Halloween," boldly displayed.  The translation, "Say no to Halloween" refers to the commercialism  and adulteration of Halloween and trick-or-treating, something that never existed in Mexico before globalization.  This can be seen as a plea to maintain meaningful traditions in time-honored ways.  Maintain and continue.


My dear friend Alison, who took many of the following photos, and I like to visit various altars each year and marvel at the way death is recognized in this culture, recognized and celebrated.  Scroll through these photos to see some examples.  There are beautiful examples, both humble and elaborate, from the country and the city, put up by the poor and by the rich, by workers, shop owners, and collectively by residents of a particular street or area.  All beautiful.  All touching.  Touching the heart with bold strokes of color and joy, sadness and pain, in a singularly Mexican dance illustrating so poignantly the Poetry of Death.


Life-sized skeletons at an ofrenda put up at a local fountain by the owner of a small nearby tienda...surely a labor of love and celebration

Carved squashes and cactus fruit...and cempazuchitl petals                                                   Photo by my friend, Alison Bastien

Whole marigold flowers with magenta mano de leon (cockscomb flowers)                                           Photo by Alison Bastie

Photo by Alison Bastien

Photo by Alison Bastien


                                                                                                                                                                               Photo by Alison Bastien



     Details of an elaborate ofrenda...

Papel Picado, tissue paper cutout art, symbolizing the fragility of life

A skeleton with traditional food offerings, sugar cane and oranges--to nourish the souls of the dead

  In Pre-Columbian Mexico, the skull was a symbol of life rather than death


An altar in the home of a friend...


The dried resin of the copal tree is burned as incense, illustrating the ancient Aztec belief that it both attracts the souls of the dead at the same time as it wards off evil spirits--it also traditionally represents the transformation of matter into spirit

I particularly love the delicately crossed feet...


A moving tribute, which includes beer, tamales, photos, and tools used in life
Note the alfeñique (sometimes written alfenique), or white sugar candy sheep



Seeds, nuts, sawdust mark the patterns in this elaborate altar







Flowers, fragrant and beautiful, symbolize the brevity of life